"Water Language" and "Experimental Workshop"
Very soon, the world-famous artist Nicolás López, from Peru, will come to Mexico to teach two workshops during the III International Art Festival RÍOS DE COLOR in Mexico City.
The first workshop is titled “Language of Water” and the second “Experimental Workshop.”
Dates
Water Language: October 6-7, 2026.
Experimental: October 13-14, 2026-
Schedule: 11:00 am to 6:00 pm (1-hour for lunch break)
You may attend just one day of the workshop for half the price.
Both workshops will take place from 11:00 a.m. to 6:00 p.m., with a one-hour lunch break, in Mexico City.
Note: The schedule within each day may be slightly adjusted; some workshops may start at 9:00 or 10:00 a.m. The final schedule will be confirmed in August.
Note: The schedule within each day may be slightly adjusted; some workshops may start at 9:00 or 10:00 a.m. The final schedule will be confirmed in August.
Level: All levels
Content
THE LANGUAGE OF WATER
Workshop
Using the Language of the Water Nicolás will explore the fundamental resources to figure out the meaning of water inside the watercolor landscape. He will draw some basic architectural lines directly on the paper with his brush in order to avoid too much detail and rigidity in the composition. Thus, he will allow the water to simplify the elements in his compositions and to paint together with him in a creative respectful dialogue.
DAY 1
Introduce to watercolor and free landscape
- Theory
- Demo
- Guided practice
- Final feedback
Topics:
- Understanding the importance of appropriate materials.
- Water as a key element in interpretation.
- Addressing the architectural landscape and its plastic components (composition, perspective, distribution, etc.).
DAY 2
- Demo
Guided practice
Topics:
- Plein air sketches and painting.
- Synthesis in drawing and watercolor (transparency, dark / light).
- Elements for composition and interpretation of texture.
DAY 3
- Demo
- Guided practice
- General feedback
Topics:
- Intensive exercises in small formats (atmospheric perspective, planes, synthesis, etc.).
- Final project: painting on half sheet (55 x 38 cm) applying what has been studied.
*You can choose which activity to do and switch between Day 2 or Day 3 (studio or plein air).
MATERIALS LIST
1. Papers
- 100% cotton 300g – Baohong hot pressed.
- Optional: Hahnemühle, Saunders Waterford or Arches cold pressed.
Sizes:
- From ¼ sheet
- Half sheet
- Square compositions
- Thumbnails
2. Watercolors
Artist set by Daniel Smith:
- Lunar Black
- Lunar Blue
- Moonglow
- Cascade Green
- Chinese White
- Payne’s Grey
- Ultramarine Blue
- Lavender
- Bloodstone Genuine
- Piemontite Genuine
Optional:
- Lunar Black
- Chinese White
- Ultramarine Blue
- Neutral Tint
- Indigo
3. Brushes
EOEO Korean brushes & Escoba
- EOEO “Hake” flat brushes, natural hair preferably 4 cm, 6 cm, 10 cm (optional), thin profile to draw lines.
- Round natural hair brushes No. 3 and 12.
- Fan brush No. 5 (synthetic or natural).
- 2 thin liners or riggers, one finer than the other.
Flat brushes.
Optional:
- Escoba: synthetic mops of different sizes and round brushes.
Register
Limited spots available to ensure personalized attention.
Reserve your place with an initial payment of $2,000 MXN.
This payment is non-refundable in case of cancellation, but it may be transferred to another person.
The remaining balance will be paid in U.S. dollars before the start of the workshop.
Total workshop cost (2 days): $8,000 MXN or $4,000 MXN per day.
(The price may be adjusted slightly depending on the exchange rate closer to the date.)
To complete your registration, please follow these steps:
1. Fill out the registration form. (Please submit the form only once. If your plans change, please select “edit your responses” and remove yourself from the waiting list.) To do this, open the following webpage: https://docs.google.com/forms/d/e/1FAIpQLSeS9XD4inU4SwYM3OU68-ObhzX760CJuCoGzV5hrEAHv-mDsg/viewform
Click the FILL OUT THE FORM (obligatorio) button on the right-hand side.
1. Pay the registration fee of 2,000 pesos to the account details provided in the form. If you are attending for only one day, the fee is 1,000 pesos for that day.
After submitting the form, please check whether you have been added to the corresponding WhatsApp group. If you have not, please contact Irina at +52 55 6144 2806 and send her your full name, proof of payment, the workshop dates, and the teacher’s name. The link to the WhatsApp group will then be shared with you.
Take advantage of this unique opportunity to learn from one of the most outstanding teachers in the field!
Learn more about Nicolás López


















































Nicolás López
Nicolás López Aroni (Huancayo, Peru, 1984) is a Peruvian artist whose practice focuses on watercolor. He grew up in a family closely connected to the arts, an environment that shaped his early interest in visual creation and led him to explore various disciplines before consolidating his work in painting.
He began his artistic training at the Escuela de Formación Artística de Ayacucho in 2002 and later continued at the Escuela Nacional de Arte “Carlos Baca Flor” in Arequipa, where he specialized in watercolor and graduated in 2013. Since then, his work has developed steadily, with a particular focus on landscape, plein air painting, and direct experimentation with water as an expressive medium.
For López, watercolor goes beyond a pictorial technique and becomes an attentive dialogue with the material. As he states: “It is essential to understand the technique, the materials, the paper, but above all the water—how it behaves and its character. After exploring various techniques, I found in watercolor a special connection, a poetic spirit linked to what water represents for me.” This relationship defines the rhythm and the decisions within his creative process.
He has participated in exhibitions and artistic gatherings in different countries and has received recognition in national and international competitions, including the National Watercolor Salon of Peru. His work is characterized by a search for visual synthesis and by an interest in capturing the atmosphere of the landscape, approaching painting as a space for ongoing learning, observation, and questioning.







